Research summary

Research summary

  • October 2022

The Out of Place project explores the interaction and negotiation between humans and technology, and the exchange between physical and virtual space. It’s a global research initiative that spans disciplines and cultures to highlight how textiles can reclaim the old to shape the new.

The project is interested in new materialism in the expanded field of textile art. It focuses on interactive coded interfaces, digital technologies and making things for public spaces and human interaction.

Textiles are a physical medium that form an interesting contrast with digital technology and the concept of place. Bridging the gap between in-person and digital experiences offers insight into the future of textiles.

The exhibition includes work from nine artists who use different, innovative methods, including:

  • digitisation through virtual movement

  • 3D printed textile interfaces

  • interactive textile interfaces with facial recognition technology and coding

  • non-fungible tokens (NFTs)

  • traditional handmaking

The research project inspired a panel discussion at the Textile and Place Conference 2021. The discussion was chaired by Kate Egan, Prof Assadour Markarov and Hu RenRen ⁠— the director of the Hanshan Art Museum, Suzhou. This will be included as a paper in the Journal of Cloth and Culture 2023.

Research outputs

The Out of Place exhibition website.

The Textile and Place conference website.

An academic paper will also be included in the special issue of Textile: The Journal of Cloth and Culture 2023.

Gallery

‘Colour in Space’ by Kate Egan is an interactive homage to crowds and sensory overload, where embroidered digital textiles layered with lights and sounds allow a viewer to pause and ponder on the possibilities of being momentarily transported to another place.

The everyday physical is re-interpreted via the interactive textile interface, scrambling and filtering information brought into the view of a webcam. Any observer as captured on camera, therefore, projects their own colour and movement onto the work: this could be through their own bodily movements, the use of some object or information from their mobile phone screen.

Collaborators: Sound: P.A.U.L. Code + Electronics: Chris Wilson Embroidery: Gill Thomas, St Mawgan Embroidery Company

Colour in Space Photo credit Michael Pollard